This review looks at the The Misanthrope and Hosanna, both translated from French. "Mengesha's production is very well-paced, much the best of the four I've seen....Meanwhile the idea that Hosanna can only become a real man by crossing crossdressing off his list now seems dubious; this is a play ...
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6 Reviews http://www.stratfordfestival.ca/OnStage/productions.aspx?id=11143&prodid=36324The best I’ve seen
The National Post, Robert Cushman 17/08/11 http://www.nationalpost.com/news/Dupes+dopes+drag+queens+invade+Stratford/5264500/story.htmlPowerful truth about the need to discover who you authentically are
The Beacon Herald, Donal O'Connor 12/08/11 http://www.stratfordbeaconherald.com/ArticleDisplay.aspx?e=3254360"Potter does an exquisite job of portraying the Montreal drag queen/drama queen as she explains in great detail the most humiliating experience of her life...[Becker] does well pushing his character beyond the stereotype as he occasionally shows Cuirette's softer side."
Read MoreMagical linguistic sense of place disappeared
QMI Agency, John Coulbourn 12/08/11 http://www.torontosun.com/2011/08/11/no-huzzahs-for-hosanna2 Stars: "...many of the political overtones of the piece disappear right along with its linguistic integrity, leaving an audience feeling like they’ve stumbled on a gay episode of the Bickersons, as an overwrought Hosanna recalls her comeuppance at the hands of a group of vengeful drag queens earlier in ...
Read More1973 drama a modern classic, or not?
Globe and Mail, J. Kelly Nestruck 12/08/11 http://www.theglobeandmail.com/news/arts/theatre/hosanna-stratfords-revival-feels-dated/article2127018/2 Stars: A "Must Read" meditation on Hosana's fading beauty. Nestruck has 4 well thought out theories about why the play isn't what it once was.
Read MoreHosanna isn’t really working
Toronto Star, Richard Ouzounian 11/08/11 http://www.toronto.com/article/694999--review-hosanna-at-stratford-a-bit-of-a-drag"The play was a shocking success when first presented in 1973, not just for its outspoken language and physical bluntness, but for the insight it gave us into two francophones at the time when separation between our cultures was at its most intense.... I imagine that director Weyni Mengesha is ...
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