Traditional arts journalism is in decline. Now more than ever, this independent website and our podcast fill a growing void. We've had over 1.5 million page views, and are grateful that you are here. We rely on readers — and a handful of advertisers who share our values — to make our work possible. When we raised funds for our podcast, The "Performers Podcast," the average donation from people like you was $96. Now we hope you’ll join us in augmenting our coverage of arts in the region by making a one-time donation today.
Gerard writes how much he enjoyed “Chilina Kennedy’s gorgeous-voiced Mary Magdalene” in Jesus Christ Superstar but adds that, as superstars go Geraint Wyn Davies as the thoughtful and only slightly dim king is the one he’s sticking with. Rating Camelot 4 Stars and Jesus Christ Superstar 3 stars.
Read Full Review3 1/2 Stars: “Seeing it immediately after the Shaw Festival’s production of My Fair Lady, it’s obvious that Lerner was aiming for Shavian paradox in his dialogue and kept falling short….Arthur’s bittersweet speeches…are truly stirring.”
Read Full Review3 1/2 Stars: Coulbourne wonders if the lavish production brings with it a burden: “it is as if Griffin and the actors are still struggling to reconcile transitions in the characters of Lancelot and Mordred in order to set them comfortably within the complex of the show.”
Read Full ReviewReid notes that, despite its weaknesses, the script still resonates: “Themes of honour and justice, peace and love continue to resonate in a world torn apart by strife and discord on all levels.” Geraint Wyn Davies has become an actor who seems incapable of striking false notes…Brent Carver, is never anything but captivating.
Read Full Review3 1/2 Stars. Camelot…isn’t so much a musical as it is a difficult lover: you’ll always be drawn to it, despite all its problems, because you know it will grab your heart in the end.
Read Full Review
