In a review that includes 5 shows Jones noted:…the lighting design also is unusually theatrical and exciting, with spotlights constantly shifting and picking out the needy and the desperate. It’s a bit much for purists, perhaps — especially since Feore necessarily has jettisoned the original Michael Bennett choreography — but the show still is suffused with humanity, with melodic fragility and, most of all, with lives spent bowed to the wills and pernicious choices of others.