The Guardian - Chris Wiegand
Smart
“Director Esther Jun finds smart solutions to some of the play’s trickier features…
This kingdom of hyper-fragile masculinity is ruled, like Melly Still’s 2016 RSC version, by a female Cymbeline (Lucy Peacock). When Iachimo emerges from the trunk in Innogen’s bedroom, there is not quite the usual sense of threat but rather the impression of a man who flickeringly recognises his guilt and unworthiness in the presence of such purity. It all brings alive Innogen’s subsequent revelation: ‘I see a man’s life is a tedious one.'”
[Chris Wiegand’s trip was provided by the festival]