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William Shakespeare's

Cymbeline – 2024

May 10th - September 28thTom Patterson TheatreTicket Info
Generally Positive Reviews based on 9 Critics
  • mid 66% of shows in the 2024 season
9 Reviews
Comments

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The Guardian - Chris Wiegand

Smart

“Director Esther Jun finds smart solutions to some of the play’s trickier features…

This kingdom of hyper-fragile masculinity is ruled, like Melly Still’s 2016 RSC version, by a female Cymbeline (Lucy Peacock). When Iachimo emerges from the trunk in Innogen’s bedroom, there is not quite the usual sense of threat but rather the impression of a man who flickeringly recognises his guilt and unworthiness in the presence of such purity. It all brings alive Innogen’s subsequent revelation: ‘I see a man’s life is a tedious one.'”
[Chris Wiegand’s trip was provided by the festival]

Read Full Review06/28/2024

Ontario Stage - Kelly Monaghan

A Disappointing Production

“William Shakespeare’s Cymbeline, which is receiving a disappointing production at the Tom Patterson Theatre, is the most problematical of the Bard’s so-called “problem plays…

Unfortunately Esther Jun, tackling her first ever Shakespearean directorial assignment, has not solved the problems that Cymbeline presents…

In a programme note, Jun goes on at some length about how much she loves Cymbeline, which made me wonder why she mucked about with it so much…

Lucy Peacock, now in her 37th season with the Festival, does remarkably well as Cymbeline, although her mercifully brief appearance as the swashbuckling leader of the English army strains credulity.”

Read Full Review06/13/2024

Entertain This Thought - Mary Alderson

A New Take on the Story

“Lucy Peacock is a forceful Cymbeline bringing her confidence to this character. Allison Edwards-Crewe plays an interesting Innogen, who goes on a journey both physically and mentally, becoming a stronger woman. Jordin Hall as Posthumus is charming and there is chemistry between him and Innogen. Tyrone Savage is a cocky and deceitful Iachimo…

Cymbeline is not a favourite of most Shakespeare fans. Yet this production might make it more popular. A strong cast has given a new take on the main story, and in doing so, offered greater understanding of the sub-plots.”

Read Full Review06/06/2024

Stratford Beacon Herald - Bruce Urquhart

Enthralling

“The creative choices by Jun and her collaborators work to temper sone of the challenges posed by this play, circumventing the genre confusion by presenting the story as legend. By focusing on what Jun describes as “the magic within,” the cast and crew help foreground what’s magical about this play to create an enthralling production. Beautifully acted and wonderfully staged, Cymbeline is not to be missed.”

Read Full Review06/06/2024

Intermission - Aisling Murphy

Allison Edwards-Crewe is in...

“There are a few standout actors playing secondary characters: Christopher Allen is scene-stealing as Innogen’s stepbrother Cloten, and Jordin Hall’s Posthumus is also quite strong as a romantic partner for Innogen. For me, Edwards-Crewe is the play’s beating heart, and she’s in excellent form here (I’d love to see her in one of Shakespeare’s more mainstream hits after her performances in All’s Well That Ends Well and now Cymbeline). Peacock’s as commanding as ever as the play’s monarch — I just wish she were onstage more.

Echo Zhou’s set and lights, dramaturgically strange as they might be, look great in the relatively cozy Tom Patterson Theatre, and Michelle Bohn’s costumes gleam in luxe fabrics.”

Read Full Review06/06/2024

Stage Door - Christopher Hoile

A Great Disappointment

“The Stratford Festival’s latest production of Cymbeline is a great disappointment. One would like to see the lesser known works of Shakespeare well-staged to help lift them from undeserved obscurity. Alas, that is precisely what this newest staging will not do.

Long-time Stratford patrons will know that Cymbeline can be an exciting and moving experience as shown by Robin Phillips’s production in 1986 and by Antoni Cimolino’s production in 2012. The present production suffers not because of the play itself but because the director has no understanding of it and far too many of the actors are unable to make sense of their lines.”

Read Full Review06/01/2024

Toronto Star - Karen Fricker

Jordin Hall Steps Further into...

“The central virtue of Esther Jun’s current Stratford production of “Cymbeline” is that she and her wonderful cast roll with the play’s stylistic and thematic improbabilities and excesses, embracing audience laughter as revelations pile up and leaning into the swooniness of the more fancifully romantic bits. At three hours the production feels long and the pace sometimes sags, and it’s stronger on atmosphere than on apparently clear choices around context or message…

[Jordin] Hall steps ever further into leading man status with this confident turn as Posthumus, exhibiting impressive levels of vocal, physical and emotional expression.”

Read Full Review06/02/2024

Broadway World - Lauren Gienow

An Intriguing and Fantastical Story

“…if you are looking for an exciting story with unexpected twists and turns, brilliant performances, and a few laughs along the way – and you also happen to be a Lord of the Rings or Game of Thrones fan – look no further than the Stratford Festival’s current production of CYMBELINE.”

Read Full Review05/30/2024

The Globe and Mail - J. Kelly Nestruck

A Real Ensemble

“Under [Esther] Jun’s direction, Cymbeline’s cast feels like a real ensemble – with every actor given a chance to shine and show something new – but I must single out [Christopher] Allen, making his Stratford debut, for his highly original and marvellous vain portrayal of Cloten. He is aided by a wig with hilarious bangs that he is constantly batting out of his face.”

Read Full Review06/02/2024

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