As it works in theory, it won’t work for everyone in practice. Keiley’s spin on the story lays on the cheese with lots of double entendre wordplay (“Hold onto my dingy”), physical gags (a swift smooch from Newfie Orlando to French LeBeau in a moment of missed cultural translation), and the most audience interaction Stratford-goers are likely to come across in years — injected into the play in the spirit of Newfoundland’s sense of humour and inclusive artistic attitude.