Peter Sellars's

A Midsummer’s Chamber play

July 11th - September 20th Masonic Concert Hall Ticket Info
Generally Neutral Reviews based on 7 Critics
This is a listing for the 2014 season. For this years shows click here.
7 Reviews

The New York Times - Charles Isherwood

Charles Isherwood of the NY Times on the Chamber play “I emerged stunned and disoriented, partly stimulated and partly exhausted. Theater rarely makes you feel any of these things consistently, let alone simultaneously.” and this of the other “Mr. Abraham’s production ranks among the most purely enchanting I’ve seen”

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The National Post - Robert Cushman

“If you are among the learned, you can enjoy watching each of the actors seamlessly switching from one character to another; if you aren’t, you won’t even know who those characters are. Let me be clear: Sellars is a director worth inviting (and, I hope, re-inviting) to Stratford, and this production is worth seeing. But it’s a one-note treatment of a rich symphonic work and thus, for all its surface solemnity, a frivolous one.”

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The Bard and the Boards - Robyn Godfrey

“It would have been more interesting to read this version of the play, not witness its desiccation. I do not use that word lightly – for all of Mr. Sellars’ enlightened intentions to get at the heart of the play, he only reveals – relentlessly so – the dark, lustful, anguished side of the play’s core emotion, love.”

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The Slotkin Letter - Lynn Slotkin

“Many will fall on their knees in lemming-like slavish supplication to the iconoclastic efforts of Peter Sellars, thinking this is the most incredible interpretation of the play they have ever seen. Others will think it’s a load of pretentious crap. Me, I hated it.”

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The Globe and Mail - J. Kelly Nestruck

“It is fiercely intelligent, emotionally restorative, allows one Stratford Festival actor [Dion Johnstone] to do the best work of his career – and introduces another actor [Sarah Afful] who could be the theatre company’s next big star.”

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The Record - Robert Reid

“Under Sellars’ challenging direction, the cast resembles a quartet of inmates performing an abridged version of Shakespeare in a madhouse…Sellars refers the ensemble to “a quartet of voices,” but it is a quartet of voices in a single key—the key of lunacy without love and poetry, to paraphrase Theseus in one of the play’s most famous passages.”

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The Toronto Star - Richard Ouzounian

Richard Ouzounian praises all 4 actors, Sarah Afful, Dion Johnstone, Trish Lindström and Mike Nadajewski adding “if you’d like to reach out to grasp the hand of William Shakespeare and feel the pulse of life beating there, then this is an absolute must-see piece of theatre.”

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Reviews Breakdown

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